Naija Music – The Music Of Nigeria. For all those individuals not really acquainted with Naija Common music – this is actually the sound emanating through the Nigerian Music scene. African music is, around the whole, as diverse because the cultures found throughout the continent with every region enjoying its very own unique style of music accompanied by a range of instruments many Westerners are not familiar with.
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Nigerian Favorite music includes anything from Folk Music to a lot of the Well-known Music found through the entire world. There are many indigenous and ethnic peoples in Nigerian – therefore it must not be surprising that each ethnic group enjoys its personal unique well-known music flavour and instrumentals, poetry and music style.
Did you realize, as an example, that traditional music found in Nigeria is closely associated with its agriculture, with certain instruments not allowed to be played during various seasons? Labour songs are a common type of indigenous Nigerian music which will help to keep the rhythm of workers in fields along with the river canoes (think slave songs of the Deep South).
The story is usually told concerning the mother cheetah who comes back home from the hunt to discover her cubs happen to be trampled to death by elephants. Realizing that she is no match for these giants, she blames and kills a herd of goats. Similarly, when a team of Kenyan musicians took for the streets the other day calling at a lower price Nigerian and Tanzanian popular music, they were killing goats. The elephant in this instance is history. However, not even history is really a match for innovation.
It’s funny, nevertheless the country popular music star Kenny Rogers comes to Kenya today, charge an arm and a leg, and play a month of sold-out stadium gigs. Yet his heyday was in the ‘80s. The identical holds true for top-tier Nigerian acts. Their time, however, is now. Kenya seems predisposed to preferring the foreign, the exotic, the western. At the potential risk of being accused of bringing up ‘that old trope,’ it all began using the erosion of our own culture when the colonialists came. Colonialism eroded Kenyan culture I daresay more than it did in West Africa, in Uganda, in Tanzania. Kenya had been a settler state. The Brits had no plans of going anywhere. Ever. As well as in their assistance, and under duress, we threw the culture baby out with the pagan bath water and planted the Church as well as the Union Jack over the scene of the crime dressed in mandatory, state-issued calico cloth threatened from the physical and mental whips in our settler masters. So when the brand new government in independent Kenya clamped down on the Funk movement in the late 70s along with all other artistic expression, threatening and jailing academics inside the universities and strangling the media, we shrunk into our cocoons, allowing ourselves instead to be satiated and sedated from the likes of ABBA, The Bee Gees and also the Beatles. Homegrown innovation have been dealt a blow that would take us decades to recoup from. I was born middle class (and English-speaking) in the ‘70s. My predilection for all things Western was established at the beginning of life. I would personally be irritated, nay embarrassed, when I’d get home from school and find the housekeeper blasting ‘that shady Rhumba.’ After I began my music career within the 90s there weren’t many Kenyan musicians to look as much as. Anybody who had were able to record anything have been condemned by society to dying, drunk or living poor, a direct result ‘loose morals and bad choices.’
I’m always slightly embarrassed when I introduce myself to folks I meet around the continent. I’m ‘Eric,’ as the South Africans are ‘Kgomotso’; the Nigerians are ‘Olusegun.’ Even while the Tanzanians may be ‘Damien’- pronounced ‘Da-mi-YEN’- they speak Kiswahili with your ease and fluidity having studied subjects like Biology inside their national language. The Kiswahili language rolls off their tongues like honey towards the easy beat of Bongo Flavour, as close as possible get to Zouk singing on dry land. As a result, in Tanzania, American Idol loses pride of spot to Project Bongo, a reality show concentrating on homegrown talent. Conversely, urban Kenyans get so far as Sheng, a hybrid of Kiswahili and vernacular ipebrc so diverse that kids from estates separated by less than a highway have different names for the same thing. Sheng dictionaries become obsolete by the time they visit press, owing to the rapidity in the change of vocabulary. A Sheng speaker can date you to inside a year of your birth, locate your house to within a street from the word you use for ‘car’ or ‘mobile phone.’ Inside the rural areas, Kiswahili is just as foreign as Greek, and is also spoken only by those who could have picked it in school or by those ethnicities whose ethnic language shares a standard Bantu base with Kiswahili, akin to that between Italian and Spanish. We claim to have a national language. Listen again.